Well apparently the entire hospitality industry collectively needs therapy after Bank Holiday weekends because this one seems to have struck a nerve. 🍺
If you’ve ever:
* worked in a pub
* survived Sunday lunch
* heard phantom ticket machine noises
* or emotionally collapsed beside a dishwasher…
…this one’s for you.
Honestly, I thought I was just shouting into the internet wearing a sweaty chef jacket. Turns out half the country has hospitality PTSD.
More pub chaos, chef trauma and village lunatics over on TikTok:
@[YOURHANDLE]
And yes… most of these disasters made it into Lies, Theft and Shit on the Ceiling.
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Nobody talks enough about the psychological recovery period AFTER a Bank Holiday weekend in hospitality.
The public goes home happy and sunburned.
Meanwhile chefs are staring silently into the middle distance, pub landlords are emotionally unraveling beside industrial dishwashers, and somebody is still hearing phantom ticket machine noises three days later.
Honestly, by Tuesday morning every hospitality worker deserves:
* therapy
* electrolytes
* and witness protection.
More pub chaos from Gravy Stains and Tall Tales 🍺
www.julieharris.co.uk
#pubtok #hospitalitytok #cheflife #britishhumour #publife #storytime #KitchenChaos #bankholiday #uktiktok #restaurantlife
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People romanticise old British pubs until they’ve stood inside a medieval kitchen during a heatwave watching three chefs slowly descend into psychological collapse beside a deep fat fryer.
The Royal Oak Inn in summer was less “country pub charm” and more “low-budget hostage situation with gravy.”
Tiny windows.
No airflow.
Ancient brick trapping heat like Satan’s conservatory.
Meanwhile outside, customers sat in the beer garden cheerfully ordering:
* steak pie
* lasagne
* roast dinners
* and enough gravy to embalm a Victorian duke
Because apparently when British people get hot, their natural instinct is to consume heavier carbohydrates.
The only air conditioning in the entire building was in the cellar, which meant every member of staff suddenly became deeply passionate about “checking stock.”
I once found a chef sitting beside the beer barrels eating ice cubes in complete silence like a traumatised Arctic explorer.
Honestly, if you’ve never worked hospitality during a heatwave, you haven’t truly experienced human suffering.
Naturally… this kind of chaos made it into Lies, Theft and Shit on the Ceiling.
More pub madness at:
www.julieharris.co.uk
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Japan doesn’t give a shit about your bucket list.
That’s the first thing you learn.
You fly halfway around the world with some cinematic fantasy in your head…cherry blossoms drifting through the air like a goddamn Kurosawa film, monks whispering wisdom, Mount Fuji standing there majestically while you have some life-changing spiritual awakening over green tea and silence.
Instead, I got horizontal snow. Wet socks. Frozen fingers. And a mountain hidden behind a wall of thick grey cloud like some sulking celebrity refusing photos.
Perfect.
Because the real magic of Japan was never Fuji.
It was the ramen shop sitting at the foothills of the damn thing.
Tiny little place. Steam-covered windows. Maybe eight seats. No tourists posing for Instagram. No “world famous” sign. Just exhausted locals slurping noodles in complete silence while snow piled outside like the end of the world.
And the smell… Jesus Christ.
Pork broth that had clearly been simmering since before dawn. Garlic. Soy. Fat. Bones. The sort of smell that grabs you by the collar and tells you to sit down and shut up.
The old guy behind the counter looked like he’d been making ramen since the Samurai were running around chopping people into decorative pieces. No performance. No fake hospitality. No “How are you folks today?” nonsense. Just brutal efficiency and absolute mastery.
A bowl landed in front of me.
Cloudy broth. Thick noodles. Soft egg with that jammy centre chefs spend years trying not to fuck up. Slices of pork so tender they practically dissolved on contact. Spring onions. Chili oil floating on top like little warning signs.
Outside, I couldn’t see Mount Fuji at all.
Didn’t matter.
Because at that exact moment, sitting there thawing out while snow hammered the windows, I understood something important: the best food memories are rarely about the landmarks.
They’re about how you felt.
Cold. Hungry. Slightly drunk. Miles from home. Completely alive.
And like every idiot who falls in love with a dish abroad, I tried to recreate it at home.
Of course I did.
I spent stupid money on proper noodles. Simmered broth for hours. Burned through enough pork bones to concern the local butcher. Watched old Japanese chefs on YouTube like I was cramming for a university exam in soup.
And you know what?
It was good. Really good, actually.
Close enough that Andy moaned dramatically while eating it and declared it “restaurant quality” between mouthfuls.
But it still wasn’t that bowl.
Because you can replicate ingredients. You can replicate technique. But you can’t replicate snow falling outside a tiny ramen shop at the foothills of a mountain you can’t even see while your frozen hands wrap around a bowl that feels like salvation.
That part doesn’t fit in a recipe.
I’ve eaten in fancy places with white tablecloths and waiters who explain carrots like they’re rare archaeological discoveries. None of them hit like that bowl of ramen at the bottom of a mountain I never even saw.
That’s travel.
Not ticking boxes. Not selfies. Not “living your best life.”
It’s sitting in a tiny ramen joint in Japan while your glasses fog up from the broth and realizing this — right here — is the story you’ll still be talking about twenty years later.
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I genuinely didn’t mean to write a book.
I meant to run a nice little English pub, serve decent food, pour pints and perhaps maintain some level of emotional stability.
Instead I spent years refereeing drunken arguments, surviving Sunday roast warfare, managing chefs held together by caffeine and rage, and listening to customers confess things that should absolutely have stayed between them and their therapist.
Somewhere along the line I realised British pubs are the last great uncensored theatre left on earth.
People walk in for “one quick drink” and six hours later they’re crying over darts, arguing about gravy or attempting to fight shrubbery in the car park.
So I started writing the stories down.
And somehow that became Lies, Theft and Shit on the Ceiling.
Honestly, the whole thing feels less like a publishing journey and more like evidence for future court proceedings.
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